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Aidan Redmond

Imperfect Love

February 7, 2018

We are never told the name of the play being rehearsed or who the characters in the play within the play are. In the second act, the performers dressed in their costumes for Gabriele’s play reveal that it is a Renaissance costume drama but we still learn nothing about it. Nothing much is revealed about Italian theater of the time though the play being rehearsed does not seem to be in the naturalistic mode of drama that was creeping into the legitimate stage in 1899. And why did the author pick that year? No clues are given. [more]

The Suitcase Under the Bed

August 27, 2017

Exquisitely produced by the Mint Theater, Jonathan Bank’s direction is leisurely and slow, which undercuts the theatricality of all but the last and the most satisfying one, 'The King of Spain’s Daughter," originally given four separate stage productions at the Abbey from 1935-1939 and two in London in 1939. Using a company of seven, the actors appear in varying combinations while all appear in the third play, "Holiday House. " Two of the plays end too abruptly calling out for a more substantial length, while one of the plays seems to go on too long. [more]