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Still Open

These are the shows that – to the best of our information – we think are still open to see.

Macbeth (an undoing)

April 22, 2024

In attempting to make a feminist statement out of Shakespeare’s "Macbeth", Harris has made Lady Macbeth into the same murderous monster that her husband became in the original. This does not seem to further the feminist cause that if women were in power they would do things differently. Lady Macbeth’s treatment of Lady Macduff (kidnapping her back from her home, attempting to take her child away, etc.) makes her almost worse than Shakespeare’s protagonist. Having eliminated most of the scenes outside of the Macbeth Castle, the second half seems both long and repetitious as things get worse and worse for the new queen. The famous “Tomorrow and tomorrow” soliloquy is rather chopped up so that it does not make her sympathetic as it did Macbeth when hearing about his wife’s suicide. [more]

The Outsiders: A New Musical

April 22, 2024

The cast of "The Outsiders: A New Musica"l bring their own substantial charisma to the stage, but it's been dramaturgically constrained by Adam Rapp and Justin Levine's book, which sacrifices poetry for explanation. That unfortunate choice is abetted by a score from Levine, Jonathan Clay and Zach Chance (the latter two comprising the folk duo Jamestown Revival) that, influenced by "Oklahoma!" instead of pure sentiment, is far too Rodgers and Hammerstein, when it should have aimed for Rodgers and Hart. [more]

Lempicka

April 21, 2024

In telling the life story of Tamara de Lempicka, the show begins with a fascinating premise. Unfortunately, neither the score nor the book lives up to her high standards. Unlike "Sunday in the Park with George" which showed us the workings of the artistic process, "Lempicka" is more interested in the social aspects of the 1920’s and 1930’s Paris than in Tamara’s revolutionary paintings. The cast works hard to put over the new musical but they are defeated by commonplace situations, banal song lyrics, and over-used pronouncements. The musical of Tamara de Lempicka’s life still has to be told. [more]

Agreement

April 20, 2024

What makes this play such an extraordinary experience is how McCafferty’s words are presented in a way that captures the intensity and stress of the three days of point and counterpoint. Westenra's direction brings out the power of the presented ideas. It guides the extraordinary cast in putting the audience in the “room where it happened,” borrowing a line from another play. [more]

Las Borinqueñas

April 15, 2024

Nelson Diaz-Marcano’s "Las Borinqueñas," the latest play in the Ensemble Studio Theatre/Alfred P. Sloan Foundation’s Science and Technology Project, has a fascinating, little known story to tell: the preliminary trials that led to the creation of the birth control pill which took place in Puerto Rico in the 1950’s up until 1960 when it was approved by the Food and Drug Administration. However, the play has too many characters each with a different story and too many themes that are not fully explored. Another problem for English speakers is that much of the play is in untranslated Spanish, all of the jokes and a good deal of the back and forth between the women. One assumes that this is for authenticity but it makes the play challenging for theatergoers who don’t know Spanish. Director Rebecca Aparicio keeps the play’s events swiftly moving along but does not compensate for the script’s deficiencies or confusing attempt to convey too much information. [more]

Sperm Donor Wanted (or, The Unnamed Baby Play)

April 14, 2024

In a funny recounting of what happened when they placed an ad on Craig's List, they finally found a couple they thought would work. Charles and Aaron are a biracial gay couple. Charles is white, and Aaron is black, a factor in the final arrangement for the donations. This racial issue is handled effectively, honestly, and with sensitivity in the story. It is one of the issues that each couple faces while trying to get pregnant. As the weeks turned to months, their relationship became more entwined and complicated. Through this process, the details of the characters' lives are revealed, at times through musings, as if one is talking with him or herself, and at times through addressing the audience with the character's emotional struggle or with each other in discussions about hopes and fears concerning parenthood. Surprising things are revealed in these conversations. Their journeys are ultimately worth the effort. [more]

Teeth

April 13, 2024

Sarah Benson’s direction is spot-on, but we find ourselves wishing the closing scene was more than just a plethora of bloody penises. This is where the creatives needed to say, “Okay, this is probably not what we wanted to say”. Adam Rigg’s scenic design though spare, is perfect for a mid-America room that can pass as a small church, or AA meeting. The neon cross is a great touch and Jane Cox and Stacey Derosier’s changing colors do not go unnoticed…particularly when the cross is pink amidst a lavender wash when Ryan is in the scene. Enver Chakartash’s costume design is appropriate across the board, although the women’s outfits in the closing scene are a mélange of Tina Turner’s castoffs from "Mad Max Beyond the Thunderdome." Choreographer Raja Feather Kelly provides fine ensemble suites for the Promise Keeper Girls. [more]

The Reef (opera workshop)

April 13, 2024

On April 10, 2024, Merkin Hall at Kaufman Music Center presented a tantalizing teaser of a musical evening with the world premiere workshop of only the first act of 2020 Pulitzer Prize-winning composer Anthony Davis’ new opera, "The Reef." With a libretto adapted by Joan Ross Sorkin, from the 1912 novel by Edith Wharton, this was the first time that the work has been adapted for the stage, though it has been filmed as Passion’s Way. The workshop was sponsored by the Berkshire Opera Festival using a cast of emerging artists all of whom were vocally capable of singing the work. [more]

Dali’s Dream

April 13, 2024

The four patients’ stories occupy the bulk of "Dali’s Dream" in an uneven stream of oddball activities which divert the plot from the more important consideration of the Freud/Dali interaction.  Their behavior is whimsical at best, arbitrary at worst. The play becomes an awkward phantasmagoria of the four patients’ crippling neuroses, hiding the fact that the reason for the play, its important focus, the meeting of two major minds of the twentieth century, becomes secondary, not to mention swelling the play’s running time.  Their discussions are never fully realized, but get as far as Dali’s admission that he could remember being in his mother’s womb, more a boast than a revelation. [more]

Oh, Mary!

April 9, 2024

No one should be sacrosanct or above satirical treatment, not even our heroes.  Everyone has feet of clay.  Cole Escola in their huge hit "Oh, Mary!" at the Lucille Lortel Theatre in Greenwich Village certainly believes this.  Their over-the-top, irreverent take on Lincoln, Mary Todd Lincoln and John Wilkes Booth is so scurrilously sexual that it is difficult to avoid guffawing at their magnificent awfulness helped by Escola’s constant silly shtick and blatant playing to the audience, all of whom seemed to be having fun. [more]

Water for Elephants

April 8, 2024

Playwright/bookwriter Rick Elice has written the greatest jukebox musical (so far) in his 2005 Jersey Boys. In his adaptation of Sara Gruen’s bestselling novel Water for Elephants, he may just have written the best stage musical about circuses by making the animals as real as the human characters. The indie folk band Pigpen Theatre Co. has written a varied collection of songs, ingeniously orchestrated, that are always exciting as they both forward the story and reveal the emotions of the people who sing them. However, it is director Jessica Stone assisted with circus design by Shana Carroll who has done the most inventive and original work. [more]

The Who’s Tommy

April 8, 2024

But, as the book's co-writer with Townshend, McAnuff is self-aware enough to recognize that "The Who's Tommy" needs to blow one's mind through sensory overload. That way, thoughts can't interfere with the emotional gloss covering the bizarrely bleak world, replete with both Nazis and Nazi wannabes, the show's "deaf, dumb, and blind" protagonist must endure. Its cheeriest passage is, in fact, the British victory over Germany in World War II, which occurs early on and quickly curdles after Captain Walker (Adam Jacobs), an airman thought killed in action, returns home to London in 1945, to discover that Mrs. Walker (Alison Luff) already has found another fella (Nathan Lucrezio), who her rightful husband promptly murders. [more]

The Notebook: The Musical

April 4, 2024

While the characters age, the use of diversity here has them switch races, so that while one couple has a Black Allie and a white Noah, another has a white Allie and a Black Noah, as well as Allie’s parents being played by an interracial couple. Although it is easy to follow, it is somewhat distracting until one gets used to it. The setting has also been updated from the 1940’s to the 1960’s so that Noah fights in Vietnam now rather than World War II. Brunstetter’s book is faithful to both the novel and the movie, except that while the earlier two versions were recounted by the older Noah reading to his increasingly distracted wife from the notebook that she wrote in chronological order, here there are flashbacks within flashbacks, backtracking some of the events. Brunstetter has also made the ending more explicit than either the book or the film, as well as keeping much of the original sentimentality at bay. [more]

Stalker

April 2, 2024

Peter Brynolf and Jonas Ljung, two coolly elegant Swedes—who wrote the show with Edward Af Sillén (also the show’s director)—perform one mind-boggling feat after another, fed by information culled from the audience.  The two performers also speak of their own lives, although why they have to describe themselves as “two heterosexuals” is questionable. [more]

An Enemy of the People

March 31, 2024

The concept of alternate facts was not created under the Trump Administration. In 1882 Henrik Ibsen wrote "An Enemy of the People" in which a medical report that a town’s new spa is polluted by toxic bacteria which will cause an epidemic is contradicted by financial and political interests which will be brought down by the revelation. Amy Herzog’s new American adaptation could not be timelier after the pandemic which we just underwent. This forceful and vigorous production led by television stars Jeremy Strong ("Succession"; "Masters of Sex") and Michael Imperioli ("The Sopranos"; "The White Lotus") is robustly staged by Herzog’s own husband, controversial director Sam Gold. This is a play that has been staged when needed at various times in our history such as Arthur Miller’s adaptation during the McCarthy Era. [more]

Bathhouse.pptx

March 26, 2024

Theatrical productions can sometimes be exhilarating, moving, provocative, informative, perplexing, confusing, dull, or bad. "Bathhouse.pptx," written by Jesús I. Valles and directed by Chay Yew, is in the realm of perplexing and confusing. In the words of Valles, “This play is a mess.” and “This play is a group project for perverts.” Even with Yew’s adept direction, the show is, in essence, episodic and, as such, confusing and perplexing. [more]

Illinoise

March 21, 2024

While "Illinoise" does not seem bigger than its individual parts nor transcend them, it is both satisfying and moving. Peck’s inventive and derivative choreography at the same time seems to pay homage to his teachers and sources but also is in his own style. Some will find "Illinoise" an emotional experience; others will be impressed by the vigor and high spirits of the dancers and singers. Several of the dancers should be come much better known through their roles in this work. Last but not least, Sufjan Stevens’ 2005 score is remarkable in its continued vitality after all these years. [more]

A Sign of the Times

March 3, 2024

This York Theatre Company production at the New World Stages, following a presentation at Goodspeed Musicals in 2016, shoehorns these songs into a book by Lindsey Hope Pearlman from a story created by Richard J. Robin. It has an ambitious plot that glibly takes on a number of themes roiling through the turbulent Sixties:  women’s lib, civil rights, the war in Vietnam, the sexual revolution, Andy Warhol, and even a premature touch of gay liberation. [more]

The Life & Slimes of Marc Summers

February 26, 2024

Christopher Rhoton's Double Dare-inspired set belies these weightier autobiographical details, offering enough of a time-warping simulacrum to help middle-aged members of the audience shed a few decades when Summers interrupts his fraught remembering to twice become a kid's game show host again. Those who legibly scribble their names on a piece of paper dropped into a fishbowl before the performance, eventually get the chance to head onstage (not sure if mezzanine ticket buyers are eligible), answer trivia questions, and launch pies on a catapult (a warning for the first few rows). Amid all the cheers, laughter, and chaotic fun, there's also an opportunity for the quick-witted Summers to go off-script, asking the theatergoers-turned-contestants trite questions like "Where are you from?" and "What do you do?" to set up a slightly mischievous back-and-forth. [more]

Appropriate

January 10, 2024

Not only is Branden Jacobs-Jenkins’ "Appropriate" a classic American family drama with a new wrinkle, it is also a trenchant and scorching look at American racism which is just under the surface. So fine a playwright has Jacob-Jenkins become that every line of dialogue develops character and plot. What is most shocking about the play is how little the younger generation depicted knows about its American history, things we all should be aware of. Lila Neugebauer’s production for Second Stage mines all of the play’s nuances and her staging is smooth and effortless. The cast led by stage, screen and television stars Sarah Paulson, Corey Stoll and Elle Fanning (in her Broadway debut) make the most of their many opportunities. "Appropriate" is the most satisfying new American play on Broadway at this time and should not be missed. The running time may seem long but the rising tension and periodic revelations make the play feel like it could even be longer. [more]

Saw The Musical: The Unauthorized Parody of Saw

October 6, 2023

"Saw The Musical: The Unauthorized Parody of Saw" begins with a picture perfect recreation of the disgusting bathroom from the first movie in the iconic horror franchise. Then the puppet (Billy) shows up, wishing us a hearty "Wilkommen, bienvenue, welcome." (Note: this review has spoilers for "Saw" the movie as well as "Saw The Musical.") The show is impressively done with a cast of three (with the exception of Detective Tapp, played via voiceover by Donnel Johnson). Danny Durr plays Gordon and Zepp, Adam Parbhoo plays Adam and Gordon's daughter Diana, and on opening night Gabrielle Goodman played Amanda, Ali and Jigsaw. Goodman in particular stands out with a lovely voice and excellent dance skills, but all three turn in solid performances. (Durr's wig is so good it deserves its own program credit.) [more]

Back to the Future: The Musical

August 16, 2023

"Back to the Future: The Musical," the time travel adventure, joins a long line of problematic screen to stage musicalizations which do not improve on the originals in any way. Joining the list that includes in recent memory "Pretty Woman," "King Kong," "Tootsie," "Mrs. Doubtfire" and "Almost Famous," Back to the Future, using one of the original movie’s co-writers (Bob Gale without Robert Zemeckis), attempts to transplant the film in toto to the stage of the Winter Garden Theatre without adding anything new to the mix other than having the characters sing and dance. If theater is meant to surprise us, then like the stage version of "Almost Famous," "Back to the Future" slavishly follows its source material so that we feel like we have seen it all before – and better. [more]

Singfeld! A Musical Parody About Nothing!

June 15, 2023

Picking the easiest possible creative path, a decision the effort-averse George would no doubt admire, the McSmiths forgo imaginative risk-taking in favor of simply copying their source material, shaping "Singfeld!" as a parody musical about writing a parody musical. In other words, "Singfeld!" is also about nothing, which makes the entire endeavor feel, at times, akin to a Sartrean spiral or, as Jerry's archnemesis Newman (Jacob Millman) more bluntly puts it, "hackey." That's not to say there aren't some funny moments during "Singfeld!," but when humor is largely based on "remember when?," the comedic ceiling is right above your head. [more]

A Beautiful Noise: The Neil Diamond Musical

January 21, 2023

When the older Diamond reaches an existential breaking point, he finally stands up, stage center and takes command of his memories, experiences and his life with an intensely concentrated rendition of “I Am...I Said.”  As sung by Mark Jacoby, it is the most poignant moment of the show, particularly when he confronts his younger self face-to-face. Will Swenson, the charismatic star of 'A Beautiful Noise," is hampered by the full-steam-ahead pacing of the show, leaving little time for introspection.  He is a powerhouse, molding his voice to sound like the actual Neil Diamond as best he can, often missing the mark.  But that’s okay because the majority of the audience came to feast on the songbook of a favorite performer and they are rewarded handily. [more]

On the Town with Chip Deffaa: At the Museum of Broadway

December 13, 2022

Everyone who loves theater owes a debt of gratitude to Julie Boardman and Diane Nicoletti.  About five years ago, they got the idea of creating a museum in the theater district, dedicated to Broadway.  They would raise the funds themselves, hoping to create a self-sustaining operation.  The museum they have co-founded has now opened.  And it’s a winner! Oh, I’m not saying it’s perfect. Nothing in this world is quite perfect.  And like all new ventures, the museum is experiencing some growing pains.  (Later in this piece, I’ll suggest some ways that the museum could be made even better.) But what they’ve achieved thus far is mighty impressive.  There are a few kinks to be ironed out, but this is a major addition to the theater district. [more]

& Juliet

November 30, 2022

The cast is a combination of New York stage favorites (Stark Sands, "Kinky Boots," and Betsy Wolfe, "Waitress," "Falsettos" and "The Mystery of Edwin Drood"), new faces (Lorna Courtney, Ben Jackson Walker, Justin David Sullivan) and older veterans (opera baritone Paolo Szot and London stage star Melanie La Barrie making her Broadway debut.) The clever book is by writer David West Read previously seen in New York with "The Performers" and "The Dream of the Burning Boy" as well as the long running television series Schitt’s Creek. The show seems to have been influenced by "Something Rotten"(parody of Elizabethan times), "Six "(its updated 16th century costumes by Paloma Young), "Head Over Heels" (reboot of a classic tale wedded to a pop-rock score) and "Moulin Rouge" (the over-the-top staging by director Luke Sheppard and choreographer Jennifer Weber) – but is actually more fun than all of those shows. At times it resembles "Saturday Night Live" skits but knows enough to keep them short and not let any of them go on too long before introducing the next complication. [more]

Kimberly Akimbo

November 23, 2022

"Kimberly Akimbo," David Lindsay-Abaire’s oddball take on the title character’s dishearteningly sad disease, began life as a play back in 2001, reaching New York via the Manhattan Theatre Club in 2003. In 2021 Lindsay-Abaire (libretto and lyrics) combined resources with the eloquent composer, Jeanine Tesori, to restyle the play as an award-winning musical produced at the Atlantic Theater Company in November 2021. This is the production that has moved to the Booth Theatre where it now resides featuring the glowing performance of Victoria Clark as the troubled title character. Jessica Stone repeats her directorial duties, managing the move to a larger venue with skill and subtlety. [more]

Titanique

August 22, 2022

"Titantique" is the most hilarious musical parody to play New York in many a year. Since international superstar Céline Dion only got to sing one song at the end of James Cameron’s blockbuster "Titanic," the now iconic “My Heart Will Go On” which went on to win the Academy Award for Best Song, why not turn the film into a cabaret musical with a score made up entirely from the Céline Dion catalog? That is just what Marla Mindelle, Constantine Rousouli and Tye Blue’s book has uproariously done, casting Mindelle in the leading role as a perfect mimic of Céline Dion, Rousouli as hero Jack Dawson, and Blue directing the show. Whether you recall the film from 25 years ago or not, the satire is pungent and the jokes skewer many pop culture icons. [more]

MJ

February 10, 2022

Wheeldon and Pulitzer Award-winning playwright Lynn Nottage make every effort to hide the fact that MJ is a jukebox musical, despite the fact that the first notes of every song elicited loud shouts and applause (part of the reason the show runs two and a half hours). Nottage has invented a plodding framework for the show.  It is 1992 in Los Angeles. TV reporter, Rachel (a down-to-earth Whitney Bashor who acts as the play’s Greek chorus) and her hyperactive assistant, Alejandro (a charming Gabriel Ruiz) corral a reluctant Jackson to have his rehearsals for his huge upcoming 'Dangerous" tour documented. [more]

Six: The Musical

October 10, 2021

More concert than musical, the 80-minute show's libretto adds little to its cast album, with the lyrics of each queen's autobiographical song also pruning their individual histories to a point even a Wikipedia writer might consider reductive. The English nursery rhyme "Divorced, beheaded, died, divorced, beheaded, survived," which the women recite at the beginning of the sing-off, pretty much sums up writers Lucy Moss and Toby Marlow's level of interest in the lives of Catherine of Aragon (Adrianna Hicks), Anne Boleyn (Andrea Macasaet), Jane Seymour (Abby Mueller), Anna of Cleves (Brittney Mack), Katherine Howard (understudy Courtney Mack in the performance I saw), and Catherine Parr (Anna Uzele). In between the songs, the women disparage one another's suffering, all in an attempt to snipe their way to the grand prize: leader of the group and, with it, the audience's adulation. [more]

Little Shop of Horrors

November 5, 2019

In a counterintuitive casting coup, handsome Jonathan Groff stars as the nebbish Seymour Krelborn who works at Mushnik’s (a funny, kvetchy Tom Alan Robbins) failing flower shop on Skid Row.  Seymour discovers an odd potted plant in Chinatown after an eclipse, a plant that leads to great success for both Mushnik and Seymour. Although it is difficult to forget Groff’s physical attributes (well-hidden under Tom Broecker’s costumes), he delivers a brilliantly realized sad sack Seymour. Poor Seymour is in love with the much put upon Audrey played with ditzy perfection by Tammy Blanchard.  Two-time Tony Award winner Christian Borle chews the scenery as Audrey’s sadistic dentist boyfriend, Orin Scrivello plus several other characters such as a William Morris agent and an NBC TV executive. [more]

Katsura Sunshine’s Rakugo

September 29, 2019

Katsura Sunshine is the stage name of this charismatic 49-year-old Toronto-born performer who relocated to Japan and apprenticed to a Rakugo artiste. Mr. Sunshine eventually became a notable practitioner in his own right and has the distinction of being a Westerner. Sunshine is affable, animated and possessed of a pleasing fast-paced vocal delivery that demonstrates comic timing and dramatic heft with a Canadian lilt. This vocal expressiveness combined with his shock of jagged blonde hair, striking facial features that he contorts into a gallery of expressions enables him to command the stage. Wearing a kimono, kneeling at a small table and handling the hallowed props of a fan and a hand cloth, he evokes the genre’s essence with assured authenticity. [more]
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Copyright Jack Quinn, 2001-2023