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“Don’t Call Me Shirley!: John Burns sings Shirley Bassey”

The affably quirky vocalist performed a delightful tribute concert of songs associated with the enduring diva described as “the British Eartha Kitt.”

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Darryl Reilly

Darryl Reilly, Critic

The Duplex

John Burns and William Demaniow at The Duplex.

“At first glance, we don’t look like we have much in common,” quipped vocalist John Burns during his uproarious cabaret act Don’t Call Me Shirley!: John Burns sings Shirley Bassey. Indeed, the rotund, bald, mature and bespectacled Mr. Burns is light years away from the charisma and glamour of the legendary star described as “the British Eartha Kitt.” Nevertheless, through his commanding tenor voice, affability and showmanship, Burns put on a delightful show that melded his own gifts with the essence of Dame Shirley in a fast-paced, eclectic and affectionate program of notable songs that she sang.

Wearing a fabulous blue sequined jumpsuit with “Super Star” on the back, blue rubber boots and periodically donning various wigs and twirling a light blue feather boa that all convey idiosyncratic style, Burns held forth for a pleasing hour. Describing a stifling New Mexico upbringing, his often hilarious autobiographical patter also details 10 diva lessons with his glorious gestures and enthralling singing.

Bearded music director William Demaniow was superbly on piano and was an impish silent foil with his sly facial expressions. Due to a weather delay in Japan, the show’s drummer was absent and Burns magnificently soldiered on with the requisite “Goldfinger” and “Diamonds are Forever” being thrilling highlights. There was a very funny audience participation segment where a young man was coerced to go onstage and hold a gun while interacting with Burns.

Pink’s “Get The Party Started” was the raucous opener and there was a giddy “The Lady is a Tramp.” The Doors’ “Light My Fire” was given a majestic rendition. Blood, Sweat & Tears’ “Spinning Wheel” was rousing and Seesaw’s “Nobody Does It Like Me” was saucy. Quite moving was Love Story’s theme “Where Do I Begin.”

“This song was stolen from me,” growled Burns as he launched into a dramatic “I (Who Have Nothing)” that was originally made popular by Tom Jones. The wistful “Yesterday When I Was Young” was made even more poignant by the news of the death of its writer Charles Aznavour that day.

“Keep moving, keep dreaming” is Burns’ eloquent summation of Bassey’s glittering career that has spanned 30 albums over every decade since the 1950’s. This one night encore engagement of Don’t Call Me Shirley!: John Burns sings Shirley Bassey was at The Duplex where it was performed several times earlier this year. Hopefully this unique entertainment will have a return run.

Don’t Call Me Shirley!: John Burns sings Shirley Bassey (October 1, 2018)

The Duplex Cabaret Theatre, 61 Christopher Street, in Manhattan

For tickets and information visit,

Running time: 60 minutes with no intermission

Share your thoughts in the comment section below.

Darryl Reilly
About Darryl Reilly (794 Articles)
A native New Yorker, Darryl Reilly graduated from NYU with a BFA in Cinema Studies. For the Broadway League, (formerly The League of American Theatres and Producers) he developed, and for five years conducted their Broadway Open House Tours, which took visitors through The Theatre District and into several Broadway theaters. He contributed to Broadway Musicals Show by Show: Sixth Edition (Applause Books). Since 2013, he has reviewed theater, cabaret, and concerts for

1 Comment on “Don’t Call Me Shirley!: John Burns sings Shirley Bassey”

  1. John Burns thoroughly entertained us with his self-effacing humor and commanding voice. He told an informative story of Shirley Bassey, seamlessly connecting songs she recorded while making them his own (Diva lesson #4?)….insiders knowledge from learning crucial Diva’s lessons from John’s show. Show up for class next time John makes it available….you will be rewarded with laughter.

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