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Articles by Jean Ballard Terepka

Jean Ballard Terepka
About Jean Ballard Terepka (112 Articles)
Jean Ballard Terepka, a native and life-long New Yorker, has been writing about music for twenty years. In addition to her continuing career as an independent educational consultant, Terepka also works as an archivist and historian with specialties in American cultural, intellectual and religious history. Terepka serves on the Executive Committee of the Harlem African Burial Ground Task Force and on the Board of National Episcopal Historians and Archivists; she is a member of the Music Critics Association of North America.

Voices of the Tarantate

October 28, 2014

Choosing National Domestic Violence Awareness Month as the time to premiere her Voices of the Tarantate, internationally acclaimed Italian singer and dancer Alessandra Belloni led her dance troupe, Daughters of Cybele, with additional dancers and performers, in a remarkable performance whose purpose was to examine the annihilating violence of domestic sexual abuse, to identify the rituals of song, dance and folk traditions that can heal the pain, and to celebrate rebirth, wholeness and sanctifying joy. [more]

Gotham Chamber Opera: Alexandre bis & Comedy on the Bridge

October 26, 2014

Since 2001, Gotham Chamber Opera has specialized in the production of major operas – well known, not known, new, traditional, experimental – and has developed a reputation for intelligence and a consistently high level of artistic integrity. This pair of Martinu comic operas, sung by an enthusiastic young cast performing on a gorgeously set stage, preserves Gotham Chamber Opera's fine reputation. [more]

Parthenia Viol Consort presents “For Ye Violls”

October 17, 2014

English baroque court music is steeped in contradictions. It is both intimate and public; it is conventional and playful; it is topical and occasional on the one hand and non-specifically accessible on the other. Lawes inherited these basic contradictions together with the demanding formal features of traditional musical genres. Within these constraints, he was so daringly inventive that artistic freedom is ultimately more his signature than genre or time period. [more]

New York City Electroacoustic Music Festival

June 11, 2014

two interactive multimedia installation pieces by electroacoustic composer and kinetic sculptor, Gary DiBenedetto. Together, Fifteen Words a Minute and The Little Woman were presented under the title Tools of Exploited Women, a mini-exhibit in the New York City Electroacoustic Music Festival (June 2-8, 2014). [more]

Waking in New York

June 8, 2014

The three sopranos, Compassion, Freedom I and Freedom II, whether singing alone or in various combinations, functioned as the voices of Ginsberg's muses, embodying individual threads of Ginsberg's philosophical preoccupations and convictions. [more]

Gotham Chamber Opera: The Raven

June 5, 2014

The understanding of music as an exploration of the shifting relationship of sound and silence, of creation and emptiness echoes Poe's purposes in The Raven: the story of a love lost and never to be recovered is also an exploration of constantly shifting experiences of discovery and loss, hope and despair, communion and isolation, life and death. [more]

The Collegiate Chorale: David Lang’s battle hymns

May 26, 2014

David Lang's forty-five minute long piece is divided into five movements, all a cappella, with the exception of the fourth movement in which a snare drum is played throughout. Three of the five movements the first, third and fifth use Stephen Foster (1826-1864) song texts; the text of the second movement is Lang's adaptation of Civil War soldier Sullivan Ballou's letter to his wife, a now famous document that encapsulates the ways in which the war shredded domestic lives; the text of the fourth movement is Lincoln's core statement about both identity and citizenship, As I would not be a slave, so I would not be a master. [more]

R. Nathaniel Dett’s The Ordering of Moses

May 22, 2014

The performance was superb both for its innate musical excellence a first rate piece of music was given a first rate presentation and for the explanation of the work's difficult, extended history in predominantly white concert venues. [more]

The Cecelia Chorus of New York with Orchestra

May 10, 2014

Mark Shapiro, music director and conductor of The Cecilia Chorus, explained in the program notes that the evening would present an exploratory voyage through the spiritual cosmos, searching out the individual's place in the universe. [more]

The Canticum Novum Singers Johann Sebastian Bach, St. Matthew Passion, BWV

April 29, 2014

As always, the bright, clear acoustics of St. Jean Baptiste at Lexington Avenue and 76th Street served the music and the musicians well. The church's highly ornamented, shiny blue, white and gold American Baroque interior seemed at first at odds with Bach's Passion story. Throughout the sanctuary, however, major statues were shrouded head to toe in the purple cloths of Lent; it was as if unknown and unnamed witnesses mourned in the midst of glitter and jewels. [more]

Random Access Music presents Parthenia, A Consort of Viols, “Prisms: Ancient Courses in A New Light”

November 15, 2013

On November 8, 2013 in the welcoming Benzaquen Hall performing space of the DeMenna Center in Manhattan, Random Access Music, a New York City based consortium of contemporary composers, presented an evening of new music created specifically for the highly acclaimed viol consort, Parthenia. The program opened with a brief welcome from Allen Schulz, president and founding member of Random Access Music. He noted that plans for collaboration between Parthenia and RAM began almost two years ago; this November 8 concert of RAM's 2013-2014 season was the first of what many hope will be continued future collaborations. [more]
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