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A Few Thoughts on Those Needless Changes to “The Music Man”
February 21, 2022 // 34 Comments
I want to be clear. "The Music Man" is such a masterfully written musical that making some changes here and there can’t really ruin it; but changes are not needed in this show and they certainly don’t help. I believe in the old saying: “If it ain’t broke, don’t fix it!” I also believe, as Tommy Tune once told me years ago in discussing a different show, many producers and directors feel a need to tinker with shows, making changes for the sake of making changes, even when the wiser choice would be to simply leave things alone. There’s just that desire to “improve” things, whether or not the changes actually improve anything. [more] -
David Cassidy …. A Personal Remembrance
26 Comments
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Jacqueline Novak: Get On Your Knees
18 Comments
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DAVID CASSIDY… BEHIND THE SCENES
15 Comments
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Of Human Bondage
July 10, 2017 // 1 Comment
Director Albert Schultz’s program note explains that the production set itself two challenges: first, that Philip Carey would never leave the 16-foot red square center stage, and that all of the sound (vocal, musical or atmospheric) would be made by the 11 other actors in view of the audience. This may have made for an interesting artistic experiment, but it is not so effective for the audience. While the 16-foot square makes the play claustrophobic (a metaphor for Philip’s life), it also means that scenery has to be carted around for each and every scene. Nevertheless, in Lorenzo Savoini’s clever set design, the transitions between the many scenes are smooth and flowing. The sound effects are made by the actors on stage ultimately become very distracting from the action of the play. Faithful to the novel but necessarily telescoped, Thiessen’s adaptation is fragmented into a series of vignettes which though not disjointed suggest that much is missing. [more] -
Is There Still Sex in the City?
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