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Articles by Darryl Reilly

Darryl Reilly
About Darryl Reilly (435 Articles)
<p>A native New Yorker, Darryl Reilly graduated from NYU with a BFA in Cinema Studies. For the Broadway League, (formerly The League of American Theatres and Producers) he developed, and for five years conducted their Broadway Open House Tours, which took visitors through The Theatre District and into several Broadway theaters. He contributed to Broadway Musicals Show by Show: Sixth Edition (Applause Books). Since 2013, he has reviewed theater, cabaret, and concerts for Theaterscene.net.</p>

Night Tide

July 22, 2017

Mora works as a mermaid in a tank at the sideshow owned by the crusty, old Captain Murdock who rescued and raised her. As her romance with Johnny blossoms, there are complications. Her previous two boyfriends died under mysterious circumstances. An ominous woman in black mills about and there’s a fortuneteller looming over the action, as the plot builds to a tragic finale. There is also the possibility that Mora is a real mermaid. [more]

Pity in History

July 20, 2017

"Pity in History" was a teleplay commissioned by the BBC, and was broadcast on July 4, 1985. In the cast were Alan Rickman as the chaplain, Ian McDiarmid as the cook, and Anna Massey as the widow. Significantly, the era depicted was that of when it took place, reflected by period costumes and décor. Clips of it are on YouTube. [more]

Matthew McConaughey vs. The Devil: An American Myth

July 15, 2017

Vamping and slinking around in a bright, red tunic laden with rhinestones and wearing black tights, the vivacious Lesli Margherita steals and salvages the show as Mephistopheles. With the physical allure of the young Gina Gershon and the musical comedy talents of the young Donna Murphy, and her own quirky persona, Ms. Margherita is commanding.  It’s a proverbial case of “I couldn’t take my eyes off her,” and “everything she said and did got a laugh.” [more]

Errol and Fidel

July 15, 2017

Conveying the premature decrepitness of Errol Flynn with flair is Jonathan Stewart. His hair styled and with a thin mustache, the charming Mr. Stewart resembles Flynn and channels his dissolute persona and good humor with a melodious, slight Australian accent. The bearded and youthful George Psomas totally captures the look and essence of the early Fidel Castro with his edgy bearing.  Combining sensuality, a lush singing voice and superior comic timing, Mr. Psomas is delightful.  He and Stewart’s scenes together energize the show, particularly their clash near the end. [more]

Woody Sez: The Life and Music of Woody Guthrie

July 14, 2017

Physically lean, with gaunt but animated features, the immensely charming David M. Lutken plays the narrator and sings many of the numbers. Mr. Lutken magnificently captures the essence of Guthrie with his wry twang, beaming smile and dramatic presence. This dimension is complete when he puts on a blue cap like Guthrie’s iconic one. That image is on display onstage, with a cigarette dangling from the side of Guthrie’s mouth. [more]

To T, or Not to T

July 9, 2017

While wearing an all black ensemble of a cap, T-shirt, shorts and sneakers, D’Lo commandingly holds forth with plentiful pop culture references in 70 minutes.  Possessing the powers of an accomplished stand-up comedian he expresses the searing and hilarious details of his transgender journey in an often rapid, hip-hop style alternating with a measured pace.  Audience members are occasionally addressed directly with riotous results. [more]

The Enchantment

July 8, 2017

"The Enchanter” is Alland, a magnetic and noted sculptor in Paris, in 1888, who has been through many women. He has become the object of desire for Louise. She is a 32-year-old, free-spirited, unmarried Swedish woman. Living off her deceased, pastor father’s inheritance and has come to Paris for spiritual fulfillment and enlightenment. She has scorned a suitable bank clerk suitor in her native land, opting instead for adventure. [more]

Kim’s Convenience

July 6, 2017

In 85 minutes, playwright Ins Choi achieves the supreme goal of The Theater, making an audience laugh while engaging their emotions.  The dialogue is flavorful and richly comical with exposition expertly integrated.  Though the setting is specific, the themes are universal.  Its Arthur Miller crossed with Norman Lear. [more]

Me the People: The Trump America Musical

July 2, 2017

The animated and charismatic Mr. Spitaletta is the standout of the cast, vibrantly appearing in numerous roles.  Highlights of his portrayals are a commanding Russian agent spoofing Danny Kaye’s tongue-twisting patter number "Tschaikowsky (and Other Russians)" from Kurt Weil’s "Lady in The Dark," and a rollicking caricature of Richard Nixon. Mr. Spitaletta is an ever-present delight. [more]

Hedy! The Life & Inventions of Hedy Lamarr

June 28, 2017

The show also explores Lamarr’s improbable career as an inventor.  She and composer George Antheil held a patent for a miniaturized player-piano mechanism that was synchronized with radio signals.  They donated it to the U.S. Navy who neglected it. This technology was instrumental to the U.S. Defense Department in dealing with The Cuban Missile Crisis in 1962. Their invention is used today in cell phones, WiFi, CDMA, GPS, Bluetooth and military satellites.  [more]

Horse

June 26, 2017

Ms. Bentley has vibrantly coordinated all of the presentational elements into an intriguing 75-minute production with her commanding staging. The present, the past, and inner lives all converge through the flawless unison of movement, dance and stage effects. [more]

The Traveling Lady

June 23, 2017

The Pulitzer Prize-winning Foote (1916-2009) was acclaimed for his cycle of plays that celebrated his native, rural Texas that included "The Trip to Bountiful."  In "The Traveling Lady," he characteristically depicts the human condition with everyday conflicts, regional dialogue, and richly delineated and lovingly rendered characters.  Those qualities make these vivid roles for actors. [more]

That Which Remains

June 20, 2017

Ms. Donovan’s enthralling opening sequence sets the tone for the production. Behind the curtains are actors in silhouette with their shadows on view.  Other cast members appear to the side of the auditorium and proceed on to the stage.  There are numerous gorgeous stage pictures and compelling movement and dance numbers.  The play’s infamous violent set pieces are boldly realized.  [more]

Attack of the Elvis Impersonators

June 19, 2017

Lazarus’ score is an entertaining blend of rock, pop and show tunes.   None of Elvis Presley’s actual songs are heard, but there are a number of clever takeoffs such as “Viva Milwaukee!” and “Spread the Word of Hound Dog.” His good-natured book is a shambles.  The serious, campy and satirical elements don’t connect.  The plot is crammed and wayward.  It recalls the 1960’s "Batman" television show as well as counterculture fantasies such as the 1968 film "Wild in The Streets" and Brian De Palma’s movie, "The Phantom of The Paradise." [more]

Death Comes for the War Poets

June 17, 2017

In the play which is billed as “a dramatic verse tapestry,” playwright Joseph Pearce ably weaves together poems and diary entries by Sassoon and Owen with extracts of other writers of the era.  Though Mr. Pearce identifies the characters as the English Sassoon and Owen, he provides scant biographical details about them. From this treatment, they could be any British young men of that time.  [more]

Zero Hour

June 14, 2017

Bearded, stocky and with that distinctive, wild comb-over of salt and pepper hair and wearing an artist’s smock, Brochu vividly conveys the visual, vocal and personality characteristics of the Broadway legend. For 90 enthralling minutes, he dramatizes and enacts the remarkable life and career of that unforgettable performer. [more]

Maps For A War Tourist

June 11, 2017

Created by the documentarian theatre company Sister Sylvester, "Maps for a War Tourist" was intended to be a biographical exploration of the life of Deniz Karacagil. A former Turkish art student, Ms. Karacagil was arrested three years ago for wearing a red scarf outside. That was interpreted by the authorities as a provocative gesture in support of socialism. [more]

Remembering Evangeline

June 10, 2017

Carlo Adinolfi plays John, the performance artist. With his British accent and wiry physicality he has an intense presence but possesses limited charisma. Mr. Adinolfi’s simple but inspired scenic design with its aesthetically arranged white sheets and white bench and white cabinet with wigs provides a compelling landscape for the actions. [more]

Great Again

June 7, 2017

The goal of their three week Women in Theatre Festival is “a direct response to gender disparity in theatre leadership, casting, and production, the objective of WIT is to broaden the opportunities for women artists, engage with an audience who seek an indie theatre experience, and add to the canon of women playwrights writing roles for women actors.” "Great Again" quite successfully fulfills these commendable aspirations. [more]

The End of Longing

June 6, 2017

Mr. Perry has certainly followed the maxim, “write what you know.” We follow the romantic and personal travails of four stereotypical, contemporary Los Angles types who have the financial resources for incessant self-examination. It’s a universe of meet cutes, overwrought emotional exchanges and happy endings. [more]

The Government Inspector

June 2, 2017

Director Jesse Berger’s fast-paced staging is an exuberant amalgam of physical and verbal virtuosity combined with visual flair. A highlight is a crowd of characters hurrying into a closet and popping out one by one that’s out of a Marx Brothers movie. There’s also the spectacle of a group of bearded, shabby villagers of various heights storming The Mayor’s house in their flowing garments. [more]

The Woman Who Was Me

May 29, 2017

Mr. Grandbois’ engrossing scenario is in the vein of such feminist fantastical works as "Diary of a Mad Housewife" and "Up the Sandbox." An expedition to a salsa dance club, buying a puppy from gypsies behind a Home Depot, watching Clash of The Titans on television with her son and a trip to the zoo are rendered with exquisite literary detail that’s simultaneously comic and moving. Looking into an old mirror becomes a Proustian reverie of Lanie’s recollections of her dead grandmother. [more]

The Boy Who Danced On Air

May 27, 2017

It is set in present-day rural Afghanistan. Several years earlier, Paiman as a child was sold by his father to the well to do Jahandar. The two have an intense emotional and physical involvement that must soon cease, as Paiman is soon to marry because he is approaching manhood. Feda, Zemar, the dancing boy of Zemar, Jahandar’s droll, and mean cousin, is also aging out. Paiman and Feda fall in love and that instigates several conflicts. [more]

Reprise

May 27, 2017

Amidst Mr. Maierson’s barrage of mechanical set-ups and punch lines, there are a few amusing jokes and insightful observations. Reprise is in the tradition of substantive romantic comedies such as several of the works of Neil Simon and Bernard Slade’s Same Time, Next Year. However, it lacks the polish and depth of those perennials, and is also mired in bathos. [more]

They Promised Her the Moon

May 17, 2017

In the ambitious T"hey Promised Her the Moon," playwright Laurel Ollstein explores a relatively untold chapter of American history. Solidly written but unsatisfyingly structured as a clunky series of flashbacks, confrontations and historical exposition, the play snaps to life in its final scenes. There the Salieri versus Mozart-style rivalry of Peter Shaffer’s "Amadeus" that has developed between the two antagonistic central figures is heightened. [more]

Iphigenia in Splott

May 15, 2017

The writing is poetically descriptive and moderately engrossing with plentiful profanity. It is, however, a decidedly grim scenario despite abundant humor. The conclusion is a rhetorical and optimistic rallying cry for social justice. The themes and message are all very well realized in this production. [more]

Seven Spots on the Sun

May 14, 2017

Director Weyni Mengesha’s physical staging is proficient since for 80 minutes the actors are competently placed throughout for a fluid presentation. Unfortunately, Ms. Mengesha has the sound at full blast and that’s distracting. Just as egregiously, Mengesha has the talented cast performing at full throttle, resulting in overwrought and collectively overall ineffective characterizations. [more]

The Golden Apple

May 13, 2017

Handsome musical theater leading man Ryan Silverman is a commanding Ulysses with his operatic singing. Jeff Blumenkrantz is marvelously humorous and pitiful as Menelaus, Helen’s jilted husband. N’Kenge is fierce and bewitching as Mother Hare, a soothsayer-like figure. Ashley Brown is wonderfully comic as the mayor’s wife. Though silent as Paris, the youthful Barton Cowperthwaite’s superior ballet skills make a great impression. [more]

Entertaining Mr. Sloane

May 8, 2017

That this production has such an ideal Sloane puts it into the stratosphere.  With his sculpted physique, prevalent musculature and chiseled features that recall the young Malcolm MacDowell (who played the role in a 1975 London revival), Matt Baguth is mesmerizing.  Speaking in a whispery, low, lightly accented voice, Mr. Baguth commands attention.  Whether wearing Mod clothing or encased in black leather, and a tight white T-shirt, Baguth vividly captures the predatory nature of this youthful interloper with sly conviction. [more]

Groundhog Day

May 6, 2017

Mr. Karl gives a captivating performance that’s a whirlwind of energy, charisma and exceptional singing and dancing.  It’s a commanding star turn that cannot quite compensate for the show’s hollowness.  When getting dressed in the mornings, Karl’s leg brace was visible at the performance attended.  This was the result of an injury that he had on April 14, 2017, while performing, near the end of the show. [more]

The New York Pops 34th Birthday Gala: “Something Wonderful”

May 3, 2017

The sensational highlight of the concert was a medley from "South Pacific." “I’m Gonna Wash That Man Right out of My Hair” had the luminous Ashley Park euphorically performing that showstopper. Ms. Park was filling in for the previously announced and indisposed Laura Osnes. Female members of The Camp Broadway Kids Ensemble, who were dressed in colorful outfits and sailor caps, wonderfully joined Park. This thrilling production number was representative of Cynthia Thole’s vigorous direction and choreography. [more]
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