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Articles by Darryl Reilly

Darryl Reilly
About Darryl Reilly (794 Articles)
A native New Yorker, Darryl Reilly graduated from NYU with a BFA in Cinema Studies. For the Broadway League, (formerly The League of American Theatres and Producers) he developed, and for five years conducted their Broadway Open House Tours, which took visitors through The Theatre District and into several Broadway theaters. He contributed to Broadway Musicals Show by Show: Sixth Edition (Applause Books). Since 2013, he has reviewed theater, cabaret, and concerts for Theaterscene.net.

Bootycandy

September 12, 2014

Throughout the play there are many visual and spoken references to Michael Jackson, showing how large the presence and influence of The King of Pop in his heyday loomed in the consciousness of many growing up and living in that era. This symbolism adds greatly to the detailed specificity of this passionate, suspenseful and bold work. [more]

O’Neill Center: 50 Years of Creating American Theater

September 10, 2014

Founded in 1964 by George C. White, and located in New London, Connecticut, The O'Neill was created to develop new plays and musicals through a workshop and public reading process. "It decentralized theater from New York City, leading to the regional theater movement in The United States," said Ms. Goldberg. It also inspired the creation of similar workshop festivals such as The Sundance Institute. [more]

Fabulous! The Queen of New Musical Comedies

September 9, 2014

"…I've been having a love affair for quite a few years now. It's been with the idea of recreating the golden age of Broadway—with its glitz and glamour—and making it relevant for today's theater audience." Writes Dan Derby, the book writer and lyricist of Fabulous! The Queen of New Musical Comedies, in the show's program. [more]

Dead Behind These Eyes

September 8, 2014

Not loving anyone who did not wish to see Dead Behind These Eyes would be more debatable. Performed for an audience of 12 in a karaoke room, the 90-minute show is a beguiling site specific performance art piece. Many theatergoers with an affinity for such works will find it engaging, and others may find it exasperating. Not being familiar with its source material could make it seem even more baffling. [more]

The Good and The True

September 4, 2014

Strands of barbed wire run across the stage and remain so throughout the performance. The stage is divided by a train track. The walls are bare brick. The lighting often shifts to varying shades of darkness. Luggage is strewn around. Smoke flows briefly at one point. Scenes are punctuated by the sound of Czechoslovakian singing. The actors wear basic black clothes. Director, scenic and costume designer Daniel Hrbek masterfully creates powerful images. Horrors are conveyed by imaginatively utilizing very simple elements. Mr. Hrbek also succeeds in staging and pacing the action arrestingly along with the actors. [more]

Between Riverside and Crazy

August 1, 2014

This breakfast chat is in the opening of scene of Between Riverside and Crazy, by Stephen Adly Guirgis. In a series of plays that include Our Lady of 121st Street, Jesus Hopped the 'A' Train and The Motherf***er with the Hat, Mr. Guirgis has become known for affectionately dramatizing the lives of passionate, off beat, New York City characters with inimitably colorful dialogue. [more]

Varekai: Cirque du Soliel

July 30, 2014

The title is a Romany word meaning "wherever." The narrative framing device is the Greek myth of Icarus, imagining that of instead of drowning in the sea after flying too close to the sun, he lands in an enchanted forest populated by exotic creatures. [more]

Clinton: The Musical

July 28, 2014

A grimacing hyper actor in a cheap white wig carries on as Newt Gingrich. Kenneth Starr strips down to a leather harness, mesh and leather underwear. Eleanor Roosevelt appears periodically in a hat and a fur, and says "Oh, shit." Al Gore is there as a life-sized cardboard cutout. [more]

Pump Boys and Dinettes

July 17, 2014

Jordan Dean, Hunter Foster, Randy Redd and Lorenzo Wolff are The Pump Boys, and Mamie Parris and Katie Thompson are The Dinettes. All are not only terrific and personable performers, giving charmingly realized characterizations, but all wonderfully play instruments as well. [more]

Cloned!

July 10, 2014

Set in New York City in 1993, young, good-natured, genius physicist Wally's experiments in teleportation, first run amok when his pet pigeon (named after Stone's Basic Instinct character) is cloned instead of being transported. [more]

Clown Bar

July 2, 2014

Due to the cleverly written script by Adam Szymkowicz, the show is such a marvelously detailed and novel spoof of the genre. The inspired old-time show business score is a grand collaboration between Mr. Szymkowicz, composer and additional lyricist Adam Overett and musical director and additional composer Ian Axness. [more]

Holler If Ya Hear Me

June 30, 2014

The original book by August Wilson protégé and collaborator Todd Kreidler is in the fiery style of his mentor. It's also in the old tradition of social problem plays and films. In addition, there are noticeable similarities to West Side Story. Though the plot and characters often seem familiar, Mr. Kreidler has very successfully crafted a framework that everyone else involved builds upon, resulting in a bold and novel take on the subject. [more]

Marilyn Maye: The 14th Annual Kathryn W. Stein Memorial Concert

June 30, 2014

"I've been a pauper, a poet—no! That's not right! How does it go?" she feigned confusion as the audience called out lyrics before she launched into a rollicking "That's Life." Having seen the original cast of My Fair Lady, she was transfixed at observing Rex Harrison on the street soon after and "stalked him" she recounted before singing a touching "I've Grown Accustomed to His Face" and a jazzy "On the Street Where You Live." [more]

These Troubled Times

June 23, 2014

Director Jennifer Ortega does a masterful job of staging all of the comedy and seriousness as well as getting sharp performances from the cast. Concept designer Moira Shaughnessy's work includes the stark slides above the playing area that depict the lush Florida scenery as well as grisly situations. [more]

Broadway by the Year: The Broadway Musicals of 1990 – 2014

June 23, 2014

Two sensational sequences were dances from Forever Tango and Swing! Mark Stuart and Mindy Wallace breathtakingly did a super sensual "Libertango," climaxing with him tossing and catching her a few times. "Don't try that at home," joked Siegel. "Sing, Sing, Sing" appeared in Swing! and Fosse, both in 1999, and was aggressively and euphorically tapped and choreographed by charismatic Jimmy Sutherland. [more]

The Zombies: A Musical

June 18, 2014

Scenically the show is quite proficient, ingeniously using simple props with well-conceived wall projections and displaying funny animations and representing the locations of the town. A great detail is the reappearing small scurrying roach in Pedro's Café. Structurally the show is problematic. The second act is packed with action and revelations but at over two hours with intermission, it all feels too long, the length diluting its effectiveness. [more]

And If You Lose Your Way, or A Food Odyssey

June 15, 2014

Scenic designer Carolyn Mraz, lighting designer Mike Inwood and sound designer Will Pickens creatively utilize the expansive space. Their contributions to this minimalist stylized spectacle very effectively renders the farm, thrilling battle scenes, a galley ship with watery sound effects, a Trojan horse, cooking areas and a television studio for a culinary show. Brooke Cohen's artful costumes have a delightfully timeless rustic quality, adding to the visual splendor. [more]

The Anthem

June 14, 2014

This campy extravaganza channels the spirit, tone and sound of past offbeat edgy musicals: an appropriate subtitle for it would be Ayn Rand Superstar. [more]

Double Crossed: The Ballad of Rodrigo

June 6, 2014

Much of the action takes place in a greasy spoon run by cheery and kindhearted Sally. Underworld figures, a fast-talking reporter, G-Men, honest and crooked cops, a double-crossing dame and the conflicted hero gather there to conspire and eat grub. The author vividly renders all of these typical characters with attributes and personalities true to the ones encountered in hard-boiled movie yarns. [more]

Megan Hilty at the Café Carlyle

June 3, 2014

“For years I walked by this place and saw all the fancy people going in. It’s a dream come true to be here,” said Megan Hilty during her wonderfully eclectic debut cabaret show at the Café Carlyle. [more]

A Fable

June 1, 2014

Playwright David Van Asselt's is set "Somewhere, almost anywhere, below the equator." It feels like an academically imagined recreation of something that would have played at LaMaMa in 1967 for a thesis project. Debatably borrowing from Shakespeare, Bertolt Brecht, The Living Theatre, Candide, Urinetown and The Cradle Will Rock, it's a wearying odyssey. [more]

The Essential Straight & Narrow

May 26, 2014

Shifting abruptly from flashbacks to a form of the present, we follow Jo, a young woman formerly a folk/country musician and now an actor. Periodically she is shown reading from and trying to memorize a script indicating that she's preparing for a role, seemingly in a television police drama. Much of the action takes place in 1974 in a rundown New Mexico wood-paneled motel room where an estranged trio of country western performers has gathered to launch a reunion tour. [more]

Broadway by the Year: The Broadway Musicals of 1965 – 1989

May 26, 2014

"For many of us this was our golden age," said creator, writer and host Scott Siegel in his introduction that for many present devotees of the art form that this evening's presentation was very meaningful as this was the era in which they came of age seeing many of these shows in their original productions and they are quite appreciative of them. [more]

Too Much Sun

May 19, 2014

Over a 25-year career as a playwright, Mr. Silver has become known for his eccentric black comedies with abrupt shifts in tone. This one feels like a breakthrough being his most ambitious and successful on many levels. The unison of remarkable writing, grand performances, and assured direction make Too Much Sun a highly outstanding play. [more]

Honor Bound

May 15, 2014

Playwright Albert J. Repicci structures his theatrical debut work in twelve scenes of varying length taking place at multiple locations and the uneven results dilute the effectiveness of the interesting political and personal themes that are explored. [more]

Here Lies Love

May 10, 2014

The Public Theatre’s LuEsther Hall has been reconfigured to resemble a nightclub where most of the audience stands to view the action which is performed all over the space on stages and platforms on all sides as well as platforms in the center that are moved by stage crew members. Young floor crew members in pink jump suits direct the audience to move around sometimes on stage and to encourage audience dancing and participation at appropriate times. There’s upper level seating away from the scene where one can sit and watch the events. [more]

Here Lies Love

May 10, 2014

David Byrne and his collaborators have created a unique musical theater extravaganza that dramatizes the life of this historical pop icon in all her victories and defeats. [more]

Heathers: The Musical

April 30, 2014

The vibrant simple set by Timothy R. Mackabee, Amy Clark's lively 80's style costumes (shoulder pads galore), 80's big hair wigs and florid makeup by Leah J. Loukas, and Jason Lyons' expert lighting all make the show visually engaging. Music director Dominick Amendum and sound designer Johnny Massena keep everything aurally modulated without sacrificing bombast. [more]

Hedwig and the Angry Inch

April 27, 2014

Complementing the stagecraft and performances is the actual dynamic band. Consisting of music director Justin Craig on guitar and keyboards, Matt Duncan on bass, Tim Mislock on guitar, and Peter Yanowitz on drums, they sound and look like the real thing. Adding another layer of authentic imagery are Arianne Phillips' witty costumes and Mike Potter's detailed wigs and make-up design. [more]

Inventing Mary Martin

April 24, 2014

The small-scale physical production is enhanced by the creative contributions of the technical staff. Mary Jo Dondlinger's lighting design skillfully moves the show through numerous time periods. Inventively filling the moderately sized stage are the props, furniture, slide projections and illustrative panels of production designer Justin West and scenic designer James Morgan. The sound design of Janie Bullard very effectively blends the music, singing, slide projections and voice-overs. The cast's often quick changes and visual appeal are greatly helped by Patricia McGourty's superb costumes. [more]
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