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Articles by Darryl Reilly

Darryl Reilly
About Darryl Reilly (360 Articles)
A native New Yorker, Darryl Reilly graduated from NYU with a BFA in Cinema Studies. For the Broadway League, (formerly The League of American Theatres and Producers) he developed, and for five years conducted their Broadway Open House Tours, which took visitors through The Theatre District and into several Broadway theaters. He contributed to Broadway Musicals Show by Show: Sixth Edition (Applause Books). Since 2013, he has reviewed theater, cabaret, and concerts for Theaterscene.net.

Hedy! The Life & Inventions of Hedy Lamarr

June 28, 2017

The show also explores Lamarr’s improbable career as an inventor.  She and composer George Antheil held a patent for a miniaturized player-piano mechanism that was synchronized with radio signals.  They donated it to the U.S. Navy who neglected it. This technology was instrumental to the U.S. Defense Department in dealing with The Cuban Missile Crisis in 1962. Their invention is used today in cell phones, WiFi, CDMA, GPS, Bluetooth and military satellites.  [more]

Horse

June 26, 2017

Ms. Bentley has vibrantly coordinated all of the presentational elements into an intriguing 75-minute production with her commanding staging. The present, the past, and inner lives all converge through the flawless unison of movement, dance and stage effects. [more]

The Traveling Lady

June 23, 2017

The Pulitzer Prize-winning Foote (1916-2009) was acclaimed for his cycle of plays that celebrated his native, rural Texas that included "The Trip to Bountiful."  In "The Traveling Lady," he characteristically depicts the human condition with everyday conflicts, regional dialogue, and richly delineated and lovingly rendered characters.  Those qualities make these vivid roles for actors. [more]

That Which Remains

June 20, 2017

Ms. Donovan’s enthralling opening sequence sets the tone for the production. Behind the curtains are actors in silhouette with their shadows on view.  Other cast members appear to the side of the auditorium and proceed on to the stage.  There are numerous gorgeous stage pictures and compelling movement and dance numbers.  The play’s infamous violent set pieces are boldly realized.  [more]

Attack of the Elvis Impersonators

June 19, 2017

Lazarus’ score is an entertaining blend of rock, pop and show tunes.   None of Elvis Presley’s actual songs are heard, but there are a number of clever takeoffs such as “Viva Milwaukee!” and “Spread the Word of Hound Dog.” His good-natured book is a shambles.  The serious, campy and satirical elements don’t connect.  The plot is crammed and wayward.  It recalls the 1960’s "Batman" television show as well as counterculture fantasies such as the 1968 film "Wild in The Streets" and Brian De Palma’s movie, "The Phantom of The Paradise." [more]

Death Comes for the War Poets

June 17, 2017

In the play which is billed as “a dramatic verse tapestry,” playwright Joseph Pearce ably weaves together poems and diary entries by Sassoon and Owen with extracts of other writers of the era.  Though Mr. Pearce identifies the characters as the English Sassoon and Owen, he provides scant biographical details about them. From this treatment, they could be any British young men of that time.  [more]

Zero Hour

June 14, 2017

Bearded, stocky and with that distinctive, wild comb-over of salt and pepper hair and wearing an artist’s smock, Brochu vividly conveys the visual, vocal and personality characteristics of the Broadway legend. For 90 enthralling minutes, he dramatizes and enacts the remarkable life and career of that unforgettable performer. [more]

Maps For A War Tourist

June 11, 2017

Created by the documentarian theatre company Sister Sylvester, "Maps for a War Tourist" was intended to be a biographical exploration of the life of Deniz Karacagil. A former Turkish art student, Ms. Karacagil was arrested three years ago for wearing a red scarf outside. That was interpreted by the authorities as a provocative gesture in support of socialism. [more]

Remembering Evangeline

June 10, 2017

Carlo Adinolfi plays John, the performance artist. With his British accent and wiry physicality he has an intense presence but possesses limited charisma. Mr. Adinolfi’s simple but inspired scenic design with its aesthetically arranged white sheets and white bench and white cabinet with wigs provides a compelling landscape for the actions. [more]

Great Again

June 7, 2017

The goal of their three week Women in Theatre Festival is “a direct response to gender disparity in theatre leadership, casting, and production, the objective of WIT is to broaden the opportunities for women artists, engage with an audience who seek an indie theatre experience, and add to the canon of women playwrights writing roles for women actors.” "Great Again" quite successfully fulfills these commendable aspirations. [more]

The End of Longing

June 6, 2017

Mr. Perry has certainly followed the maxim, “write what you know.” We follow the romantic and personal travails of four stereotypical, contemporary Los Angles types who have the financial resources for incessant self-examination. It’s a universe of meet cutes, overwrought emotional exchanges and happy endings. [more]

The Government Inspector

June 2, 2017

Director Jesse Berger’s fast-paced staging is an exuberant amalgam of physical and verbal virtuosity combined with visual flair. A highlight is a crowd of characters hurrying into a closet and popping out one by one that’s out of a Marx Brothers movie. There’s also the spectacle of a group of bearded, shabby villagers of various heights storming The Mayor’s house in their flowing garments. [more]

The Woman Who Was Me

May 29, 2017

Mr. Grandbois’ engrossing scenario is in the vein of such feminist fantastical works as "Diary of a Mad Housewife" and "Up the Sandbox." An expedition to a salsa dance club, buying a puppy from gypsies behind a Home Depot, watching Clash of The Titans on television with her son and a trip to the zoo are rendered with exquisite literary detail that’s simultaneously comic and moving. Looking into an old mirror becomes a Proustian reverie of Lanie’s recollections of her dead grandmother. [more]

The Boy Who Danced On Air

May 27, 2017

It is set in present-day rural Afghanistan. Several years earlier, Paiman as a child was sold by his father to the well to do Jahandar. The two have an intense emotional and physical involvement that must soon cease, as Paiman is soon to marry because he is approaching manhood. Feda, Zemar, the dancing boy of Zemar, Jahandar’s droll, and mean cousin, is also aging out. Paiman and Feda fall in love and that instigates several conflicts. [more]

Reprise

May 27, 2017

Amidst Mr. Maierson’s barrage of mechanical set-ups and punch lines, there are a few amusing jokes and insightful observations. Reprise is in the tradition of substantive romantic comedies such as several of the works of Neil Simon and Bernard Slade’s Same Time, Next Year. However, it lacks the polish and depth of those perennials, and is also mired in bathos. [more]

They Promised Her the Moon

May 17, 2017

In the ambitious T"hey Promised Her the Moon," playwright Laurel Ollstein explores a relatively untold chapter of American history. Solidly written but unsatisfyingly structured as a clunky series of flashbacks, confrontations and historical exposition, the play snaps to life in its final scenes. There the Salieri versus Mozart-style rivalry of Peter Shaffer’s "Amadeus" that has developed between the two antagonistic central figures is heightened. [more]

Iphigenia in Splott

May 15, 2017

The writing is poetically descriptive and moderately engrossing with plentiful profanity. It is, however, a decidedly grim scenario despite abundant humor. The conclusion is a rhetorical and optimistic rallying cry for social justice. The themes and message are all very well realized in this production. [more]

Seven Spots on the Sun

May 14, 2017

Director Weyni Mengesha’s physical staging is proficient since for 80 minutes the actors are competently placed throughout for a fluid presentation. Unfortunately, Ms. Mengesha has the sound at full blast and that’s distracting. Just as egregiously, Mengesha has the talented cast performing at full throttle, resulting in overwrought and collectively overall ineffective characterizations. [more]

The Golden Apple

May 13, 2017

Handsome musical theater leading man Ryan Silverman is a commanding Ulysses with his operatic singing. Jeff Blumenkrantz is marvelously humorous and pitiful as Menelaus, Helen’s jilted husband. N’Kenge is fierce and bewitching as Mother Hare, a soothsayer-like figure. Ashley Brown is wonderfully comic as the mayor’s wife. Though silent as Paris, the youthful Barton Cowperthwaite’s superior ballet skills make a great impression. [more]

Entertaining Mr. Sloane

May 8, 2017

That this production has such an ideal Sloane puts it into the stratosphere.  With his sculpted physique, prevalent musculature and chiseled features that recall the young Malcolm MacDowell (who played the role in a 1975 London revival), Matt Baguth is mesmerizing.  Speaking in a whispery, low, lightly accented voice, Mr. Baguth commands attention.  Whether wearing Mod clothing or encased in black leather, and a tight white T-shirt, Baguth vividly captures the predatory nature of this youthful interloper with sly conviction. [more]

Groundhog Day

May 6, 2017

Mr. Karl gives a captivating performance that’s a whirlwind of energy, charisma and exceptional singing and dancing.  It’s a commanding star turn that cannot quite compensate for the show’s hollowness.  When getting dressed in the mornings, Karl’s leg brace was visible at the performance attended.  This was the result of an injury that he had on April 14, 2017, while performing, near the end of the show. [more]

The New York Pops 34th Birthday Gala: “Something Wonderful”

May 3, 2017

The sensational highlight of the concert was a medley from "South Pacific." “I’m Gonna Wash That Man Right out of My Hair” had the luminous Ashley Park euphorically performing that showstopper. Ms. Park was filling in for the previously announced and indisposed Laura Osnes. Female members of The Camp Broadway Kids Ensemble, who were dressed in colorful outfits and sailor caps, wonderfully joined Park. This thrilling production number was representative of Cynthia Thole’s vigorous direction and choreography. [more]

Babes in Toyland (MasterVoices)

May 1, 2017

Victor Herbert’s 1903 operetta "Babes in Toyland" was presented by MasterVoices (formerly The Collegiate Chorale), in a splendid concert production, to celebrate its 75th anniversary. Music director and artistic director, Ted Sperling superbly conducted the dynamic Orchestra of St. Luke's, and the terrific MasterVoices choral group, that appeared onstage with them. [more]

Her Opponent

April 29, 2017

Provocative, startling, and theatrical, "Her Opponent" is a recreation of the 2016 U.S. presidential debates between Hillary Clinton and Donald Trump. The twist is that actors of reverse genders portray them. [more]

Hamlet. A Version

April 28, 2017

The dialogue of Ileana Alexandra Orlic’s English translation is problematic. Floating around are a few Shakespearean snippets, but otherwise it’s rather stilted. Without much verbal grandeur there’s a prevalent flatness. There’s not a compelling momentum, and so it never really rises above being a curiosity. However, overall this play does somewhat succeed as a spirited condensation, especially for those familiar with the original work. [more]

Lone Star

April 25, 2017

Alternating between flavorfully humorous and darkly revealing dialogue, Mr. McLure vibrantly renders his characters’ personalities and motivations. There’s a hilarious analysis of the incompatibility of eating a Baby Ruth candy bar while drinking beer. With this sociological slice of life, McLure has created three strong roles for actors, and this production’s cast plays them with assurance. [more]

Charleses

April 20, 2017

The dialogue is sparse as various mundane activities are depicted, such as learning to drive, shaving and ordering food from a deli. The infants are played by adult actors. The cast wears matching wigs. Andrea Hood’s authentically simple costume design is comprised of jeans, shorts, trousers, plaid shirts, and T-shirts. The production all has a Thornton Wilder-style quality. [more]

Mourning the Living

April 15, 2017

Ms. Hogan’s dialogue is well crafted and the structure is stageworthy, but it all comes across as a playwriting exercise rather than a full-fledged dramatic work. Medically, Hogan’s premise is extremely unlikely and adds to the off-kilter dimension. The plot points of the combination of someone in their 30’s being stricken with Alzheimer’s Disease, and then years later getting a respite from it, stretches credibility. [more]

CasablancaBox

April 14, 2017

“The structure of 'CasablancaBox' is inspired by another filmmaker’s technique, Robert Altman’s roaming camera,” writes playwright Sara Farrington and director Reid Farrington in their program notes. This homage results in a collection of frantically staged vignettes that aren’t funny and don’t add up to much. [more]

“Rosalee Pritchett” & “The Perry’s Mission”: Two one-act plays

April 12, 2017

"Rosalee Pritchett" and "The Perry's Mission" are in the provocative tradition of such works of the period as Amiri Baraka’s 1964 play Dutchman and Melvin Van Peebles’ 1970 film "Watermelon Man." This exemplary production brings attention to these neglected playwrights, and is a welcome opportunity to experience their unsettling power. [more]
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