News Ticker

Articles by Chip Deffaa, Editor-at-Large

On The Town With Chip Deffaa: The Coronavirus Versus The Theater.…

April 27, 2020

Will people--especially people who are older or have pre-existing health issues (and many theatergoers are older and have such heath issues)--be willing to gather in packed theaters or concert halls, not knowing which fellow audience member or usher might be carrying a potentially lethal infection? My own doctor advises against being in such crowds, so long as this virus is around, regardless of what government officials might say. [more]

On The Town…. with Chip Deffaa: Count Basie and Louis Jordan

February 28, 2020

I'm very glad that a friend and I were able to enjoy the high-spirited, fast-moving revue "Five Guys Named Moe," which is currently playing   at Westchester Broadway Theatre.    A lot of talent on that stage. Director/choreographer Richard Stafford has found six performers – Tyler Johnson-Campion, Tony Perry, Napoleon M. Douglas, Quentin Avery Brown, Douglas Lyons, Isaiah Reynolds --who do justice to the hits of Louis Jordan. Each has his own personality. Each gets moments to shine individually.  Tony Perry, as I noted in these pages a year ago, was one of my favorites in WBT’s 2018 production of Ain’t Misbehavin’.  And it was good to see him again.  The others in the cast are all new to me.  But they all got well into the spirit of this music.  And their zest was contagious. [more]

ON THE PASSING OF THE NEW YORK MUSICAL FESTIVAL…

January 10, 2020

The festival has given birth to musicals that have gone on to Broadway ("Next to Normal," "Chaplin," "[title of show]," "In Transit") and Off-Broadway ("Altar Boyz," "The Other Josh Cohen," "My Vaudeville Man," "Yank!," "Cyclops," "Bedbugs," etc.)   Its shows have been produced in all 50 states and in 27 countries.Productions launched at the festival have won one Pulitzer Prize, three Tony Awards, three Obie Awards, and seven Drama Desk Awards.  That’s a terrific track record. [more]

On The Town … with Chip Deffaa: Jerry Herman and Michael Feinstein

January 3, 2020

Composer/lyricist Jerry Herman was, of course, a Broadway legend.   He gave us such unforgettable shows as "Hello, Dolly!," "Mame," and "La Cage Aux Folles." These musicals were all  huge hits, brimming with songs that audiences quickly took their heart--songs like "We Need a Little Christmas," I Am What I Am," "If He Walked into My Life," "The Best of Times," and, of course, two of the most enduringly popular title-songs in Broadway history: "Hello, Dolly!" and "Mame."  Among his other Broadway shows: “Milk and Honey,” “Mack and Mabel,” “The Grand Tour,” “Dear World,” “Jerry’s Girls,” “An Evening with Jerry Herman.”  He also contributed material to both “Ben Franklin in Paris” and “A Day in Hollywood/A Night in the Ukraine.” [more]

DAVID CASSIDY… BEHIND THE SCENES

January 1, 2020

Some will tell me that David Cassidy was their first crush, back when he was starring on “The Partridge Family” on TV, recording regularly, and selling out huge concert stadiums. And they’ll write me how lucky I was to have been able to hang out with him, and how much fun he must have been. And maybe they’re remembering watching him on “The Partridge Family” on TV. And they’ll ask: “What was David Cassidy really like?” [more]

On The Town … With Chip Deffaa, Nov 2, 2019

November 3, 2019

Chasing Rainbows has an exceptionally appealing cast. This is one of those rare productions where even the smallest roles are vivid. The show itself is not perfect.  There are fixes that need to be made, which I'll address shortly.   But there's a million dollars’ worth of talent on that stage, and some moments that are so wonderfully rewarding, [more]

ON THE TOWN with CHIP DEFFAA, August 26th 2019

August 26, 2019

I'm stunned and saddened by the passing of one of the best music directors I've known--and one of the nicest gentlemen-- Hubert Tex Arnold. He died suddenly, unexpectedly of a brain aneurism. He was getting ready to play a cabaret show for Sally Maye. I liked Tex very much, both personally and professionally. He was not just an exceptionally talented pianist and arranger, he was a very giving person. [more]

ON THE TOWN … with CHIP DEFFAA, February 18, 2019

February 18, 2019

Westchester Broadway's Ain't Misbehavin'--the 208th offering at this venerable dinner theater--is indeed in good hands. For starters, it is directed by none other than Richard Maltby Jr., who conceived and directed the original New York production, some four decades ago. [more]

“RENT” ON FOX TV — An Evaluation by Chip Deffaa

January 28, 2019

Adapting Broadway shows for "live" TV is never easy. And this production was hampered by some extraordinary bad luck. One of the stars, Brennin Hunt, ("Roger") broke his foot at the last minute, and they wound up broadcasting a tape of the dress rehearsal--instead of televising a "live" performance--for much of the night, Only the final portion--which hit home hardest-was actually airing "live." And that may well account for some of the muted energy that bothered me--the fact that we were watching a videotaped dress rehearsal. Some actors may well have been "saving something" for the anticipated live broadcast, It felt like that to me, anyway. [more]

CAROL CHANNING… A Personal Remembrance

January 15, 2019

She encouraged me to dream big, grab opportunities when they came, and work full steam--and not to wait, because none of us know how much time we have. (I thought she'd live forever.) When she decided it was time to write her memoirs, she asked if I could meet with her. She told me she wasn't a writer, she couldn't possibly write a book by herself, and asked if we could do an "as told to" book together, with her telling me stories which I could put into book form. [more]

ON THE TOWN… with Chip Deffaa, January 6, 2019

January 6, 2019

No one loves Berlin's music more than I do. But the creators of this stage adaptation have tried to jam too many well-known songs into the show. I think that cutting a couple of the songs, and letting characters talk a bit more would give the show a more natural feel, and give it some needed moments to breathe. And help us bond more with characters. And if you want to add a song to express the characters' feelings, pick the very best songs for the scene--not just the best-known songs. [more]

ON THE TOWN… with Chip Deffaa …. October 28nd, 2018

October 28, 2018

The generous spirit of Jonathan Larson (1960-1996) certainly was felt in New York's great supper club, Feinstein's/54 Below, the night I went to see The Jonathan Larson Project (which filled the club for a dozen performances in six nights, with different guest-stars each night). It did my soul good to be there. [more]

ON THE TOWN… with Chip Deffaa … September 3rd 2018

September 3, 2018

A wealth of talent-- both on stage and behind-the-scenes–was involved with this ambitious production, which featured a libretto (based on David S. Ward's screenplay) by Bob Martin of "The Drowsy Chaperone" renown; and music and lyrics by Mark Hollmann and Greg Kotis (co-creators of "Urinetown"), with additional songs by Connick. Oh, there are a few things that need some fixing, which we'll address shortly. But I thought the show was more entertaining than most shows on Broadway right now. [more]

ON THE TOWN WITH CHIP DEFFAA… for Aug 3rd, 2018

August 4, 2018

Princeton University crest
Thanks to the Internet, word tends to get around very quickly about what is being done in theatres everywhere-even in college theatres. Cohen told me, for example, that students at Towson University mounted a production of "Rent" with an unauthorized changed ending; in their revision of "Rent," the character of "Mimi" died at the end. Cohen reflected: "Theatre is sort of self-monitoring. Fans of musical theatre are so passionate that when they see that a show has been changed, they'll quickly say that something is not right here. They may comment in online blogs or on chat boards." And thus, the unauthorized changes to "Rent" very quickly came to the attention of MTI, which licenses "Rent." Cohen added that the director of the Towson University production of "Rent" seemed to imagine she had the right to change the ending of the show-but to him that simply indicated her naivete or ignorance of the law. [more]

ON THE TOWN… with CHIP DEFFAA, February 3, 2018

February 6, 2018

If you’re in the mood for a night of laughter, “The Outsider”—a new comedy by Paul Slade Smith, receiving its East Coast premiere in January and February at the Paper Mill Playhouse--is great good fun.  Oh, I’m not claiming it’s profound or a show that you’ll never forget, like “A Chorus Line.”  If “A Chorus Line” is like a fine roast-beef dinner, “The Outsider” is more like a hot dog with all the trimmings.  But sometimes a hot dog with all the trimmings just hits the spot. [more]

David Cassidy …. A Personal Remembrance

November 23, 2017

I'm sorry to note the passing of David Cassidy. And I want to share a few  remembrances of him--as a performer and as a person. He was capable of conveying magic in his concerts--a "Peter Pan" figure, eternally young. On stage, he managed to seem--for decades--to be a kind of happy-go-lucky teenager.  And he never got tired of having fans--whether gals or guys--tell him he'd been their first crush.  [more]

ON THE TOWN…. with CHIP DEFFAA , November 8, 2017

November 11, 2017

Memo to Broadway producers: You need to do everything you can to hook the next generation while they're young. I got hooked on theater because I saw the greatest performers, the greatest shows, from when I was very young. It would be very hard for a young person of today to see as much great theater as I did, growing up. When they read about some tickets going for a thousand bucks apiece, they might well conclude that theater isn't meant to be for them, but mostly for rich older folk. I have some friends who work in the theater who say they can't afford to take their families to shows. And that worries me. [more]

On The Town…With Chip Deffaa…Sept 9, 2017

September 9, 2017

In the first half of her career, Barbara Cook was a top leading lady in musical theater, famously originating roles in such Broadway shows as “The Music Man” and “She Loves Me.” (Decades later, she could still sing for me at her home lines of “My White Knight” that had been cut from the score of “The Music Man” before it opened on Broadway in 1957.) [more]

ON THE TOWN… With CHIP DEFFAA

August 4, 2017

I’ve seen “How to Succeed in Business Without Really Trying” many times, many places.  I didn’t see the original Broadway production, alas–although I loved the cast album–but I’ve enjoyed the Broadway revivals, and other productions.  Just this year, for example, I got a kick out of seeing the kids at New York’s Professional Performing Arts School do a production. [more]

ON THE TOWN… With CHIP DEFFAA

June 24, 2017

I am so happy I got to see my longtime friend Victoria Leacock Hoffman--a very special person; kind, smart, instinctive, and “giving” by nature--honored by the Keen Company in New York City. Artistic Director Jonathan Silverstein presented her with his theatrical company's first annual "Vision Award." The gala celebration, held in a Fifth Avenue penthouse space, was quite a night. There was a lot of love in that room,. expressed via songs and words by Amy Spanger, Molly Ringwald, Monica Lewinsky, Jonathan Silverstein, Kathleen Chalfant, and others. [more]

ON THE TOWN WITH CHIP DEFFAA…. January 3rd 2017

January 3, 2017

The three new albums are “The Chip Deffaa Songbook” (39 of my theater songs, from shows I’ve written over the years); “Chip Deffaa’s Irving Berlin Revisited” (featuring rare, and in many cases never-before-recorded Berlin songs–part of a series I’m doing, of Berlin rarities), and a new cast album for my show “Irving Berlin’s America,” co-starring Michael Townsend Wright and Matthew Nardozzi. I’ve never before launched three new albums at the same time. But there’s no time like the present. And I’m looking forward to exciting additional releases in 2017. I like my work. Whether I’m writing or directing a play, or running a recording session, it’s rewarding. And I get to work with people I really love. [more]

ON THE TOWN with Chip Deffaa … for November 13th, 2016

November 16, 2016

There were a number of fine performances on the stage. But the performance I enjoyed the most was given by the fellow who, I noted last year, gave the most commanding performance of any fellow I’d seen star in a college musical production anywhere in recent years, Michael Caizzi. I’d likened him to a young Zero Mostel when I reviewed his performance in “Fiddler on the Roof” at Hofstra a year ago. [more]

ON THE TOWN with Chip Deffaa …. for July 5th, 2016

July 5, 2016

I’ve always liked Andrew Keenan-Bolger's work. He was a memorable child actor, playing leads on Broadway in shows like "Beauty and the Beast" and "Seussical," when he was around 13 or 14 years old.  I admired  his sunny, open-hearted work then.  And he's even more successful today (at age 31)  as an adult--not every child actor can make such a transition. He conveys the same sort of buoyant spirit on stage now as he did when I first saw him in those  shows he did so well as a youth.. (His whole family is talented.  He and his sisters, Celia Keenan-Bolger and Maggie Keenan-Bolger, are all making their contributions to the arts.) [more]

On The Town … With Chip Deffaa .. April 4, 2016

April 8, 2016

it’s significant that Steve Martin has won five Grammy Awards for albums he’s made–two in the category of “comedy,” and three in the category of “music.” He loves to play the banjo (an instrument, incidentally, that has a prominent role, along with the fiddle, in the music we hear in “Bright Star.”) He’s collaborated with Edie Brickell on two albums. And their ongoing musical collaboration has provided the foundation and inspiration for this engrossing musical play. [more]

“ON THE TOWN WITH CHIP DEFFAA….” (February 29, 2016)    

February 29, 2016

Man! There’s nothing more exciting than seeing a brand new musical that works. I was enthralled from beginning to an end by A Bronx Tale–currently getting its world-premiere production at the Paper Mill Playhouse. From the very first moments, it simply had the feel of a winner. And I was engrossed. It’s rare, and memorable, when that happens. [more]

ON THE TOWN … with CHIP DEFFAA (Dec. 21, 2015)

December 23, 2015

It did my heart good to see Matanya Solomon dancing all-out after being pretty much sidelined as a "Nutcracker" dancer, due to injury, for the last two years. I greatly admire all good dancers for their dedication and hard work; but to not give up after being hampered for so long is extra admirable.  And he was fun as the Grandfather, making the most of the part (and interacting well with others) in the prologue (staged by Victoria Mazzarelli and Tim Melady). [more]

ON THE TOWN WITH CHIP DEFFAA…. Oct. 31st 2015

October 31, 2015

I’m glad I got to attend the opening night of “The Bandstand”–an intriguing, ambitious, original musical--at Paper Mill Playhouse. Does the show–which some are hoping may eventually go to Broadway--need work? Yes, definitely. Is it worth seeing now? Again, yes, definitely! It’s fresh, bumpy in spots, and occasionally a bit too melodramatic--but it grabbed me from the start, and held my attention throughout. There are some excellent performances. And the energy is great. [more]

ON THE TOWN with Chip Deffaa, March 31st, 2015

April 1, 2015

Of course, not everybody in the arts who has potential will stick with it. There’s a high rate of attrition in the arts. The stresses and strains of pursuing a career will be too much for many people. One must have not just talent, but energy and drive and determination, plus a certain stubborn kind of stick-to-it quality that is simply all-too-rare. And you also have to be a risk-taker, with an instinct for knowing when to move out of your comfort zone and take the chance on something that excites you, even it may appear risky. [more]

RIP, JOE FRANKLIN (March 9, 1926-January 24, 2015)

January 25, 2015

Joe helped me in countless ways over the years–more than I could detail here--and I dedicated one of the books I wrote to him. He's been a good force in my life since I was very young. I’ll miss you, Joe. I can’t imagine walking through the heart of Manhattan without stopping off to see your office at 300 West 43rd Street. [more]
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Copyright Jack Quinn, 2001-2023