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Animals Out of Paper

February 13, 2015

With only a few days until Valentine’s Day we are surrounded by constant reminders of humanities obsession with being loved and understood. Quite timely, and unapologetically, YOLO! Productions has brought us a piece of theater concerning the affairs of the heart. You won’t be able to help but fall in love with the revival of Rajiv Joseph’s 'Animals Out of Paper" as directed by Merri Milwe. Trust us you’ll love the writer for the corny folding analogies and forgive him for the unsubtle appearance of an origami heart in this quirky tale of humanity’s capacity for love. [more]

The Asphalt Christmas

December 9, 2014

Director Lawrence Lesher and cast have hit the ground running Off-Broadway this Christmas season with the first revival of Todd Michael's The Asphalt Christmas. Theatre Row's Lion Theatre awaits those daring and looking for a Christmas story less caramel coated this year with an audacious play, both shocking and entertaining, as The Exorcist comes to St. Celestine's and their annual Christmas pageant. [more]

New York Pops: “By Special Request: An Evening with the Orchestra”

November 17, 2014

The New York Pops are the perfect antidote for those who suspect orchestral music to be dull or tedious. Proving again that celebrity performers are not needed to fill performance venues, Steven Reineke and his orchestra brought Carnegie Hall to life with their second installment in what is shaping into a rather exciting season. With adoring regard By Special Request: An Evening with the Orchestra truly had two stars, the orchestra itself and the music of seven time-honored composers. [more]

Disgraced

November 3, 2014

That such a devastating scramble of lives can happen in as handsome a setting as John Lee Beatty, magic set designer, manages to evoke, heightens the irony of what takes place there. The rest of the superb production is of equal caliber: Jennifer Von Mayrhauser's so right costuming, Kenneth Posner's so apt lighting, Jill BC Cu Boff's sound. But is this who we are? Where do we go from here? You don't want to miss Disgraced. How are you going to know what the title means? [more]

Rock of Ages

September 28, 2014

In a large, energetic cast, Amy Spanger, Mitchell Jarvis and Wesley Taylor stand out. I have to confess never to have heard a louder finale. No wonder there's a surge in hot looking, fashionable hearing aids for the Boomer set. They've earned them. [more]

Gertrude: The Cry

August 1, 2014

The PTP/NYC company are directed to carry on adeptly, fervently, with considerable aplomb in Mark Evanchos' monumental setting, amid some of the best and lavish costume changes – by Danielle Nieves --ever seen Off-Broadway, including Gertrude's, most of the time, that is. [more]

Pentecost

July 28, 2014

Director Cheryl Faraone knows that to keep the ideas going it is vital to have her characters be seen as human as possible so that we are not confronted with stereotypes and agit-prop, so that we become invested, begin to put our own values on the line. I particularly liked Jonathan Tindle, Alex Draper, Nina Silver, Lawrence Nathanson and Matthew Ball. A unique, priceless artifact, a creation of the finest in the human psyche, precious to the world, versus a gypsy baby, a gypsy mother, a Bosnian, a Kurd, a Palestinian Kuwaiti, an Azeri, a Mozambican, an Afghan, a Ukrainian, a Russian, how can we decide? [more]

Enter at Forest Lawn

July 27, 2014

Author Roberts plays Jack, the megalomaniacal producer/writer of a TV hit about a charming, witty, womanizing uncle who runs off the rails regularly. [more]

The Qualification of Douglas Evans

July 25, 2014

Presenting himself thus, in the character of Douglas Evans, with such vigorous, non-stop awfulness, takes courage as well as rampant ego and a chilling comment on his, the actor/playwright's own life, which might well have been written and delivered with an ironic god-awful humor and given the audience something to care about but Ahonen sticks to his guns. [more]

When We Were Young and Unafraid

June 30, 2014

Yes, it's TV soap trap. Yes, it's really good movie. And yes, it's some of the best theater, because it's the purest entertainment, storytelling, the hardest and the easiest thing to do, all in one. People are endlessly fascinating. All you need is Sarah Treem to let you in. [more]

Power Plays

June 16, 2014

The obvious initial reaction without taking into context their mission is that the plays deal with or lend power in some way, together or separately to the characters, to the audience. That is, of course, the primary goal, usually. Not, however, in this case. [more]

The Diorama

June 3, 2014

A diorama presents an obvious simulacrum of life at some period. The closest thing here is a simulacrum of a simulacrum. With embellishments by authors Jennifer Brown Stone and David S. Stone that took over whatever concept they had, presumably something to do with when a loony tune becomes a flat out loon and how to tell the difference. This is dangerous territory for experienced authors. The authors have rushed in. [more]

Mary Poppins

May 26, 2014

Director Richard Stafford thus has more opportunity to zip Mary Poppins about in the air at the WBT, much to the delight of an audience of thrilled children and their handlers. He also keeps his show moving as briskly as possible with clever use of cast members whisking about the ingenious settings by Steve Loftus. Derek Lockwood, costume designer, keeps them even busier in a wild array of constant changes. [more]

Playing with Grown Ups

May 12, 2014

Then you begin to see the chasm Joanna feels hating the child that took her from the job she loved and how in the world do we mend that? Then you begin to see that Robert's self-worth is built on shards of something that took off in the wrong direction. Then you begin to see with the young eyes of Stella and wonder what she's going to make of her future and if she's alone in her clear eyed-ness? And Jake? He's insulated himself. Don't we all. [more]

Cabaret

May 4, 2014

A huge, new production of a huge, ever now hit, Alan Cumming, Michelle Williams, Linda Emond and Danny Burstein shine. [more]

Lady Day at Emerson’s Bar & Grill

April 10, 2014

Beg. Borrow. Steal. In a breathtaking leap, famed Audra McDonald has vaulted past anything she's ever done to this pinnacle of performance art, her portrait of Billie Holiday, the mesmerizing, tragic figure who haunts us still with the beauty and wreckage of her life, and if you don't go to see her, you'll be poorer for it. Because this is not only Billie Holiday, this is Audra McDonald at her consummate best. [more]

A Respectable Widow Takes to Vulgarity & Clean

April 4, 2014

Clean, by playwright Sabrina Mahfouz, the other play on the double bill, is really not clean at all but director O'Loughlin isn't fazed a bit and whips her three, highly ornamental criminals through their paces with a stylish kind of nervy aplomb that sets off their rashers of charms while greatly adding to the fun – and by the way – wittily knocks off lots of bucks from production costs. No mean feat. [more]

Bullets Over Broadway

April 1, 2014

Author and director have put together a show which does not have a wink and a nod in it. Only the broadest of reactions will do. Which can sometimes be funny. If you know how to do it. Marin Mazzie does and is a knockout. Zach Braff does not and is not a knockout. And everybody else is somewhere in between. Except for one puzzlement: Karen Ziemba, a marvelous performer, one of the nine stars, what is she doing in this show? Her role makes no sense. Is that an inside joke? Nobody, but nobody gets it. Everybody is overdoing so much – and some of them are famous for overdoing – that it seems as if Susan Stroman's directing skills are playing very second fiddle to her choreographic skills. [more]

Lyrics & Lyricists Series: “Getting to Know You: Rodgers and Hammerstein”

March 29, 2014

Every song was well chosen to demonstrate the versatility and range of R & H and the singers all met the challenge. Rebecca sang the often neglected "The Gentleman is a Dope" (Allegro) and turned it into a showstopper. The show closed with "Edelweiss" (Sound of Music) that Ted said people think is an old Austrian folk song but was written by these legendary collaborators. It was the perfect ending for a wonderful tribute to a never to be duplicated writing team whose shows and music will live forever. [more]

If/Then

March 29, 2014

Of course, it has to happen with the music and with dancing, with costumes, with sets – ye gods. Director Michael Greif has the great boon of set designer Mark Wendland's fresh way of presenting the entire premise instantly. He gives us the glittering ability of seeing what is going on two ways at once, with mirrors, very bright, very brainy. But we are not thus twice as much pulled into events so much as setting one view against another, a perfect visual metaphor fitting with the creators, but not with us, the audience. We are happily tasking outside, we don't come in until someone with heart pulls us in. [more]

And Baby Makes Seven

March 29, 2014

There has been renewed interest lately in the early, pre-How I Learned To Drive plays by Paul Vogel, the Pulitzer Prize-winning playwright. First there was The Baltimore Waltz (1992) at the Underground Theater last November. Now And Baby Makes Seven from 1984 is on view in a thoughtful, detailed production by the Purpleman Theater Company, directed by Marc Stuart Weitz, at the New Ohio Theatre in the West Village. Baby's tale of a same-sex couple having a child still resonates with particular clarity nowadays. Except for the fact that this lesbian couple, Ruth and Anna (the one who's bearing the child) couldn't be married back then, the play rings true as it explores all the anxieties, humor and fantasies straining the relationship of these two women with each other and with Peter, the biological father of the child. [more]

Amaluna

March 25, 2014

Of course, there is a burst of aerialists flying overhead as the revels come to a close and Prospera exerts her spells over all. Was this the most spellbinding of the serial Cirque du Soleil shows because it was so female-centered? Certainly, Amaluna is one of their most beautiful and most satisfying. In spite of the clowns. What is there about the crude, corny, hokey, exaggerated mugging and capering that characterizes almost all the clowns in all the Cirque du Soleil shows that keeps them coming, show to show, a kind of tradition?? [more]

The Cripple of Inishmaan

March 12, 2014

If you add up all the billions of intakes of dollars for all the motion pictures starring the galaxy of movie stars putting their bare, nekkid faces before Broadway audiences this season, the sum tops by far the starstruck lists of recent years. And of all these powerhouses, the face on the cover of the Cort Theatre Playbill says it all: Daniel Radcliffe. Here he is, back in New York once again to, please, once again convey to everyone who's willing for the conveyance that he is not Harry Potter. Or maybe, not just Harry Potter. And so he has gone about as far as he can go: he is, in this very play, Cripple Billy, the Cripple of Inishmaan. And he's wonderful. [more]

Big Fish

October 29, 2013

everybody gives a standing ovation to improbably named Norbert Leo Butz, its star of stars. Yes, super director/choreographer Susan Stroman has pulled and woven and wreaked and hammered the story of the life and death of ordinary extraordinary Edward Bloom, traveling salesman, tale spinner, fabulist who fills the lives of everyone he meets with cockeyed wonders. [more]

First Date

August 29, 2013

You also recognize every inch of the rites, the mind revealing alter-egos, and alter-alter egos and whippy costume changes, the gropes, the innuendos. You laugh, you groan. You know the next bit is going to get a laugh, too, what else? Yes, that is the present status of the First Date. Cliché. Was it yours? Is that why you're laughing? Is that who we are today? Mine wasn't. Not in the 8th grade. She was so blonde! So what if she as a little cross-eyed. It was unsettling and alluring. [more]

Pippin

May 29, 2013

yes I was amused and/or captivated or both with the costumes of Dominique Lemieux, and yes, I thoroughly enjoyed the players, everyone, not just the principals, Terence Mann, Stephanie Pope (subbing for Leading Player Patina Miller), Matthew James Thomas, Charlotte d'Amboise, Rachel Bay Jones and that Andrea Martin but so many more because they went beyond antics. They reached us, again and again. The whole, dizzying, towering, funny, moving, exercise becomes a deep inside savoring for again and again. [more]

Matilda The Musical

April 29, 2013

Matilda is the story of a very bright, five year old girl who takes refuge in reading books from the library at a very early age. She gets through several books a week and entertains the librarian, Mrs. Phelps, with wonderful tales. Unwanted by her parents, Mr. and Mrs. Wormwood, and older brother Michael, Matilda is sent to a school run by a scary headmistress Miss Trunchbull who is unusually cruel to children and enforces her own rules, sometimes in a sadistic manner. [more]

Bye Bye Birdie

April 1, 2009

Longbottom's choreography and musical staging is busy, busy, busy, but not joyful or inspired. As conducted by David Holcenberg, Strouse's bouncy score is played at too slow a pace, even with orchestrations by the legendary Jonathan Tunick. The comedy is played too broadly, and the love scenes are passionless. [more]

(title of show)

April 1, 2009

Hunter's book and Jeff's music and lyrics have been winningly directed and choreographed by the remarkable Michael Berresse, taking Hunter and Susan and Jeff and Heidi everywhere they wanted to go. The four of them are a cornucopia of theatrical gifts gilded with the glorious hopes of adolescence still completely retained by their older, if not wiser, selves. The juxtaposition is at once deeply touching and laughingly joyful. [more]

Billy Elliot

November 25, 2008

Elton John proved once again (Lion King, Aida,) that he is great at adapting his songwriting to a dramatic script. “I find it easier writing for a story line than just individual songs” and he succeeds admirably in a wide variety of numbers from the touching “Dear Billy” a heartwrencher between Billy and his Dead mother, “Solidarity” the vociferously defiant anthem of the striking workers, the tender lilting “We’d Go Dancing” as Grandma and the men recreate the lovely waltz of old happier time, “Express Yourself” and” Born to Boogie”, exuberant razz ma tazz Broadway dance numbers. [more]

A Chat with Bob Avian

July 12, 2007

The creative forces with whom he has worked are a who’s who of the Broadway musical. They include Steve Sondheim, Kander and Ebb, Cy Coleman, Andrew Lloyd Webber, Claude-Michel Schoenberg, Neil Simon, Hal Prince, Tommy Tune and Cameron Mackintosh. And performers such as Mary Martin, Betty Grable, Barbara Streisand, Katherine Hepburn, Elaine Stritch, Jennifer Holliday, Diana Rigg, Eartha Kitt, Patti Lupone, Glenn Close, Julie Andrews and Carol Burnett, just to name a few. [more]

BROADWAY’S 2006 Fall/Winter Season

January 27, 2007

The White Way barely had time to recover from last season’s exciting Tony race when Martin Short roused the sleeping giant with his manic ode to himself, Fame Becomes Me. [more]
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